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Bram E. Gieben's avatar

Nice piece Mike, and it's really great to have you on Substack. As someone living in Scotland since 1991 I consider myself Scottish, and supported independence. It's been great to see the retreat of cultural cringe, even though the version of Scots identity that culture often celebrates is decidedly middle class, and snobbery about working class or 'ned' culture remains, as Gavin F Brewis and Darren McGarvey have written.

As an artist who doesn't write about Scotland or Scottish identity, who is nonetheless based in Scotland, I often feel alienated by the tendency in the arts to focus solely on identity, nationality and nostalgia for the past. Do you think that Scotland's attempts to move on from cultural cringe risks a too overt focus on Scottish identities which can then be codified, commodified, and which become as oppressive in their narrow definitions as the cringe they replaced?

This is a big risk, and I imagine it might be even more keenly felt as exclusionary by those who live in Scotland, but still honour a different culture or traditions. In reclaiming Scottish identity have we made it too narrow? Might it become as tight and ill-fitting a suit for many Scots as 'British' has become for so many English people?

I'd like to see a Scottish media abd arts culture that celebrates us as a modern, diverse and multicultural society, where nationalism is more informed by civic pride and shared values rather than idealised, nationalist versions of the past and future, with no vision or ability to see the *present*.

Thanks for giving me lots to think about!

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